I was thinking like the Theaters from greek to roman to william Essay

I was thinking like the Theaters from greek to roman to william shakespeare to tv now - Essay Example These plays might be tragedies or comedies, but in all they were incorporated into the Greek Culture. They told the stories of the Greek Gods and Goddesses, and were dominated by male actors. If a play required a female part, the playwright would have the male dress up as a female. Also, these plays were sometimes violent. If part of a play included someone being killed, the playwright may take a prisoner who was supposed to be killed, put him in the costume of the character that is to be killed, and surreptitiously sneak the prisoner out there instead of the real actor. Then, the prisoner would be killed and the crowd would have a realistic scene. This theme of violence would be largely outpaced with the next dominating Empire to emerge. The Romans, at the center of their world, lived at the head of the most powerful Empire of its era. Over a million people lived in Rome at one point, and, since the massive amount of slaves owned by the Roman Empire was able to do all the farm work, the Roman people themselves often did not have work. They were unemployed, and thus needed to be placated. Famously, Roman leaders placated the populace with bread and games. These games would become the dominating source of entertainment for the Roman people. There were a variety of games, from chariot races to naval battles to gladiatorial games. The gladiatorial matches are the most well known, renowned for their violence. But even the chariot races were lauded for their gore, as a mass of chariots racing around a tight course often lead to much bloodshed. Thus, the major entertainment of this ear was directly violent, not faked, just blood. Following the collapse of the Roman Empire, the segmentation of Western Civilization meant there was not a strong, multicultural entertainment movement. Yet one man, William Shakespeare, came about in the late 1500’s and revitalized the tradition of plays. He made a variety of plays, like Hamlet, Othello, Romeo and Juliet, and Henry V (Sayre). These plays often made plays on contemporary figures, and were attended by people from all social orders. They helped bring entertainment back to the masses. Previously, the poor mass of the population lived on farms or in squalor in the cities, had to work or beg, and had little access to entertainment. The upper classes had their private shows and were able to use their luxury of time and money to entertain themselves. Shakespeare transcended these boundaries by providing open plays with universal themes, and helped bring the love of entertainment back to the masses. While the tradition of plays continues to this day, the more common source of entertainment is movies. Cinema came about in the Great Depression, when people needed a cheap way to forget the horrible conditions they were living in. Movies began to offer this, an easy mental escape from reality. While books require reading and interpretation, movies allow a person to just absorb information, not necessarily t hinking unless they want to understand a complex plot of a complex movie. While originally outdoors and black and white, their popularity led to their further development. They were popular, so investors began to flock to them. Eventually color and sounds were added to movies, and then they were placed primarily indoors. Now, we have 3D movies and access

Research Essay Example | Topics and Well Written Essays - 2250 words - 1

Research - Essay Example The detrimental effects of the continuous industrialization and modernization of the corporate world had turned the trend of the organizations and companies from the objectives of financial prowess solely towards expansion of aims and priorities in terms of responsibilities thus including the welfare of the environments and surroundings including the adjacent communities and other issues related to ethics and behaviours of the employees and the members of the company or organization. The CSR then can be defined on the basis of giving attention to three objectives that includes the profitability in the financial aspect, the social responsibility and the environmental issues and concerns (Catalyst Consortium, 2002). In the study that had been undertaken, the main objectives and aims include the research, analysis and presentation of data related to corporate social responsibility. The said concerns are achieved through the gathering of researches that had been conducted by different academic groups and authors and comparing results and methods that had been applied. Through the said procedures the areas that are covered and studied can be generally viewed. In turn then, the main output of the research conducted is the presentation of the view on the said issue at a glance. The review of the published papers in CSR can be considered to present an access that can introduce the data in the said field of discipline. In the review conducted, three published papers on CSR that had been presented after the year 2000 had been included and analyzed on the basis of different points. The research design characteristics are points that are considered important that had been presented in the research works that had been studied. The summary of the characteristics of the papers is presented in tabulated form (Appendix 1-4). The main issue that is discussed in the articles under study is the effects of CSR with other

An American :: essays research papers

What is an American? What does it mean to be "American?" What makes it "American?" And how does it make us "American?" American stands for the beliefs, the music, as well as the people that come from this great nation. The beliefs of this great nation speak every language. These beliefs stretch from the furthest reaches of Africa to the city life of New York. These beliefs are pride, freedom, and equality. American means to be proud. It means to stand up for what you believe in and to fight for it wholeheartedly. American also means to have freedom, freedoms to do what you wish, to practice your own religious ceremonies, customs, and beliefs. With these freedoms comes a responsibility, a responsibility to be accountable for your actions. Equality is the basis of American society. Before equality for all, there was slavery. With this slavery came accounts of cruelty and disillusioned violence. Without help from first hand accounts of slaves such as Frederick Douglass and Harriet Tubman, we would have never emerged from this dark era in American history. American music is the envy of nations around the world. From Frank Sinatra to the Beatles, American music continues to diversify and grow. American bands develop large masses of followers in nations of all different ethnic backgrounds. From Asia to Germany, American music continues to influence the music styles of the rest of the world. Proud American men and women joined the armed forces to serve the country that they love and protect. These people show what it means to be American. Just as the colonists fought the British for Independence, they risk their lives, for something they believe in and cherish. These same people also stand for exploration and discovery.

Dante’s Allegory of Love in the Divine Comedy

The Meaning of Love through the works of Dante Lighter Devon Strand-Brown â€Å"O all ye whose intellects are sound, Look now and see the meaning that is hidden Beneath the veil that covers my strange verses:† (Inferno 9:61) Dante Lighter is indisputably the most famous Italian poet in history. His seminal work, The Divine Comedy still inspires 700 years after its writing, and has not yet yielded all of its secrets, though it is one of the most widely studied works ever to be written. The name â€Å"Dante† and that of The Divine Comedy are known the world over, but what of the man Dante? What of the allegory beneath his verses?The history of the Divine Poet, his life, his love and the mysteries of his great achievements are known to relatively few, compared to the number of people who have read the Comedy. My purpose here to open those doors to you, to give a taste of the lessons and mysteries of Dent's work, to give a glimpse of a man, famous in his time and forevermor e, and to recount the greatest tale of Love ever told. His definition of love may be the most potent and intricate definition ever described, told through four separate levels of allegory, culminating in the rise of the universal goal of Love itself.The Man â€Å"In that book which is my memory, On the first page of the chapter that is the day when I first met you, Appear the words, ‘Here begins a new life'. † (Volta) Dante was born in 1265, though the month is not known. His given name was Du- ranted Delhi Lighter, Dante being a shortened version which he himself, and subsequent -?2-? writers and translators would adopt. His family name Lighter comes form the Latin word ‘aligner', which can be translated to â€Å"winged. † Though it came from his father, it was originally passed from a mother, Algeria Loudhailer -? wife of Guidance Elise', founder of Florence -? to her son.Thus Dante can trace his lineage directly back to he founders of his beloved Florenc e. The root meaning of Durance (and Dante) is more obvious, enduring, as names were of the most importance in those days. Dante would be happy to know that he has far surpassed the destiny of an enduring name. His father was a man of finance, buying and selling property as well as lending money, something Dante later disapproved of and which found its way into his Inferno. His mother was also from a well respected Florentine family, the Bait. Her father Durance (whom Dante was named after) was a Judge at the time.Much of the Poet's history we can find in the Comedy because although it is the story of his enlightenment, it also tells the tale of his past. We see this with his mother, whom we find in the circle of violence in Inferno, for she committed suicide while Dante was still very young, somewhere between 1270 and 1275. After his mother's death, his father soon remarried and had two more children. It seems Dante had a good relationship with these siblings as he refers affectiona tely to a sister who visits him while he is sick in â€Å"La Vita Nova. These references require that I move ahead, to describe the works of Dante for it is especially through them that we learn so much of the man. I shall discuss The Divine Comedy at greater length in a future section. But as an overview it is the tale of Dent's Journey through Inferno, rising up through Purgatory, then finally moving through Paradise, guided -?3-? by his beloved Beatrice, with his pilgrimage ending with the vision of God. The other work that I shall mention often is â€Å"la Vita Nova†, The New Life, which is a compilation of poems, sonnets and stories from throughout his life.It particularly focuses on his love for Beatrice which pervaded his life from the age of nine until he died at fifty-six. At this time Florence was a burgeoning hub of trade and culture, becoming one f the richest and most powerful cities in Italy, and even in Eastern Europe. However the city was divided along many l ines; there was a split between the populace and the gentry, yet also among the gentry. The largest of these rifts was that between the Gullah, whom Dante supported, and the Gibberellins.Once the Gibberellins were expelled from Florence another divide occurred; Between the Black Gullets, those who supported the Papacy, and the white Gullets, who wished for more autonomy from Rome. With the support of Pope Boniface the Black Gullets took control of Florence, destroying many White Gullah homes and exiling Dante. If he were ever to return to his beloved Florence to â€Å"worship at his baptismal fount† he would suffer death by burning. Following his exile, Dante wandered from city to city. Reigniting his intellectual spirit in Bologna and moving as far field as Paris.Finally he settled in Raven, a small city not far from Florence. It is during this time that it is believed that be began his masterpiece, The Divine Comedy. It was completed Just prior to his death, sometime betwee n 1318 and 1321. The final Canto of Paradise was said to be lost for months following Dent's death, until in a dream, one of Dent's sons saw his father ho showed his where the final pages were hidden. His son, Pitter, searched for the pages and found them Just where -?4-? his father had indicated, and so, Just as a dream had begun the Comedy, a dream completed it.The Divine Comedy tells the tale of the Poet, Dante, and his Journey down into Inferno, up mount Purgatory and into Paradise where â€Å"the Love that moved the sun and the other stars† is finally revealed to him. It is divided into three canticles, Inferno, Purgatorial and Paradise. Each canticle is then further divided into 33 cantos, similar to chapters, except for Inferno which has a single introductory canto bringing he total to 100. Each canto is further split into three line sections, each line with a precise 11 syllables.This story fictively occurs in the year 1300 and Dante is faithful to this date, only inc luding people who had died before 1300 in any level of the Comedy , though often referencing those who are still living. Inferno, the first volume, is by far the most famous and widely read of the three. It begins: â€Å"Midway upon the Journey of our life. † Simply this first line gives premise to the Comedy being both a literal Journey through the levels of the earth but also a curative voyage through the life of a person, in this case Dante, though it can be expanded to include a more universal version of life.Through inferno Dante is guided by another great poet, Virgil, who, because he is a virtuous infidel has been confined to neutrality, the first level of hell. But who has been tasked by Beatrice to guide Dante down through Hell and up Mount Purgatory. Their Journey through Hell takes them down through all nine levels, on each level pausing to watch the punishment of the shades and sometimes speak to them, talking of their crimes or of the goings on of the living worl d. Finally in the lowest -?5-? bevel -?Judea, reserved for the traitors-? gravity reverses and they climb back out of the pit of inferno to once more observe the stars.At the base of Mount Purgatory seven As are inscribed on Dent's forehead. Each standing for Peculate or sin in Latin. As they pass through each of the seven levels of purgatory, each P is purged from his forehead. For Purgatory is not a place of perpetuity as many believe; it is a place of purging sins as its name suggests. Virgil continues as his guide and offers advice and answers to his questions along the way. However on questions of faith he defers to Beatrice, asking Dante to await her for his answer. At the peak of Purgatory is the Garden of Eden, earthly paradise.Here in paradise Dante is in awe of the heavens above him, while Virgil is reserved and distant. Dante turns away from his guide to gaze at four bright stars above him and when he looks back Virgil is gone. In his place stands Beatrice. From the Garde ns of Eden Beatrice leads Dante into Paradise, the nine circles of heaven. In each of these circles Dante speaks with different figures, Roman Emperors, Saints and Apostles prominent among them. And Just as Virgil taught Dante of life and the plight of souls in Inferno and Purgatory, so Beatrice teaches him of divinity, irate and all the levels of beatitude.One of the people he meets is his great great grand-father Guidance, who tasks him to compose a poem which â€Å"puts aside all falsehood. † He agrees, and is also tested by the apostles Peter, James and John before his can enter the Empyrean, the highest level of Heaven. It is here in the amphitheater of the Empyrean that Dent's Journey reaches is culmination with his rapturous vision of God. -?6_ â€Å"But my own wings were not enough for this, Had it not been that then my mind there smote A flash of lightning, wherein came its wish. (Paradise 33:139) Dante and Love But now was turning my desire and will, Even as a whee l that equally moved, The Love that moves the sun and the other stars. † (Paradise 33:142) Perhaps it is a sad testament to the human race, that the greatest love stories are those of unrequited love. Mark Antonym and Cleopatra, Romeo and Juliet, Dante and his Beatrice. Dante first glimpsed Beatrice at the age of nine. Of that sight he says, â€Å"At that moment, I say most truly that the spirit of life, hath its dwelling in the secretes chamber of the heart† (Nova).He goes on, describing her as a deity, as something other than a worldly woman. From that moment onward his life was drastically changed. â€Å"l say that, from that time forward, Love quite governed my soul† (Nova). His love was torrential, yet when he saw her he kept it in check. For nine years after that first sight they never spoke. He would watch her in her family's small church of Santa Margarita, sitting some ten feet behind her, imagining her as an image of perfection, but never speaking. It i s difficult to imagine such love with so little contact.He was enamored with her but also with his imagination of her. It was not until nine years later to the day,that a word was exchanged between hem. While passing in the street, Beatrice â€Å"by her unspeakable courtesy' greeted him. He -?7-? remembers she was dressed all in white, unlike the red he first saw her in, white being the color of virginity and divinity. In each of his earthly visions of her, she is described using images and words normally reserved for Christ or God himself. Dante was taken by the sound of her voice: â€Å"For she doth make my veins and pulses tremble. He went directly home and fell asleep and dreamed that Love came to him. Throughout the Vita Nova, Love comes to Dante, taking a different human form each mime, and speaks to him, offering advice and admonitions. Love appears to him multiple times and each time represents a shift in Dent's interactions with Beatrice. Dante makes the mistakes of many lovers as he is so overcome by Beatrice. In an attempt to hide the true object of his love, he begins to use what he calls a â€Å"screen- lady,† a woman toward whom he outwardly directs his attentions so as to divert attention from Beatrice.This obviously backfires and Beatrice, as they pass again in the street, withholds her greeting. Dante is grief-stricken and, following another vision of love decides to write directly to her. These poems and sonnets received praise in Florence, and were read around the city in small poetry readings, increasing Dent's stature as a great writer even in his time. However life for Dante soon takes another enormous turn, with the death of Be- iatric. She is said to have died in June, 1290, a date with â€Å"the perfect number nine† having been completed â€Å"nine times† according to the Syrian Calendar. (Lewis).Dante is so overcome that he cannot put words to the event. After compiling the Volta Nova he resolves not to write of Beatrice again, until he can â€Å"say of her what was never said of any other -?8-? Oman. † It is from this wish that springs the greatest tribute to human love ever created, La Comedic. In Dent's Journey Beatrice is his primary guide. Though Virgil guides him through two levels of the afterlife, it is Beatrice who sent Virgil to assist Dante and Beatrice whom he follows through paradise and Beatrice who teaches him the most of love. She acts as a personal representation of Christ.We can see this in many aspects of Dent's description of her -? her appearance, the events around her and her relation to the number nine. The number nine can be seen as a reference to the divinity of he holy trinity, and it is used in reference to Beatrice to reinforce her power as Dent's connection to the divine. In the ninth canto of both Inferno and Purgatory Dante enters the city of Dish and then the Gates of Purgatory -? the two most significant entrances in their respective canticles. Yet i n Paradise, in the ninth canto, Dante passes from the circles of Venus unto the level of the sun.This may seem insignificant yet it signifies the passage from earth to heaven. It is not until the level of the sun that all earthly woes and pains are stripped away. This ninth canto is significant as it also demonstrates the divinity of the number, yet interestingly it also illustrates the divinity of love as it is in this canto that Dante meets three great lovers; a mistress, a bishop and a harlot. Not exactly the lovers you would expect, but these references, as well as their relations to nine and their positions in paradise, serve to highlight the significance of human love in order to ascend further into heaven.This is Beatrice role, as she serves both as the object of human love and the transcendent divine guide. Other parallels between Beatrice and Christ can also be drawn-? one being her -?9-? appearance in heaven, she is proceeded by Giovanni Primeval, as Christ was similarly p roceeded by John the Baptist. Here we can see Dent's literary playfulness with â€Å"Giovanni† as a feminine version of John and Primeval as an anagram meaning â€Å"Prima Vera† which literally translates to â€Å"will come first. † Beatrice also descends to Inferno to summon Virgil as Christ did to bring salvation to humanity, Virgil will be Dent's personal salvation.Dante even recognizes this in Paradise 30:80 saying â€Å"Who deigned for my salvation to leave your footprints in Hell. † Lansing also points out a parallel between the names of Christ and Beatrice: The reference to her nickname, â€Å"Vice,† in Paradise is a way which must evoke the abbreviations of Christ in manuscripts: â€Å"Be† (beat, â€Å"blessed†) and â€Å"ice† (ICC=less Crisis=Jesus Christ. )† Despite her obvious divinity, Beatrice is also a physical woman, as we see in the Volta Nova, who inspires love and desire in Dante.Thus she fills both role s, as the method of divine salvation and also as the guide to human love. Both of which together create natural love, something I will go into greater detail about at a later point. Dante strives, however, to remove any sexual attraction to Beatrice both for the deader and for himself. And for the most part he is successful. By removing her erotic nature in his writing, he reclaims some power from her. As we see in the Vita Nova, she holds great power over him; she has the power to send him into fits of worry or anguish, simply with a laugh or refused look.In De-redirecting her, we see Dent's attempt to retain his own power over human love, while relinquishing his power over natural love, allow-? 10 -? inning her to guide and teach him of its natural flow. As both the Comedy and the Nova are little more than an homage to Beatrice, it is interesting to see that Dante toeholds this one form of power from her, that of sexual power. It could very well be that he is attempting to protect either himself or Beatrice from the sin of lust, yet we also find a seductress and a harlot in heaven, who further inform Dante on love.It may also be the case that Dante is protecting himself from the worldly effects of Beatrice. The vast majority of his writings about her are of his perception, his fantasy of her. Their physical contact was negligible and by removing the sexual discourse between them, the Beatrice of Dent's pages is fully from inside the Poet. The Beatrice we know is Dent's fantasy, a character within his own character. It is her spirit, not her body, that guides Dante. Dante may also shrug off this worldly influence because he has a further lord, one to whom he answers whole-heartedly, and for whom Beatrice is the perfect guide.That lord speaks to him in the third chapter of the Vita Nova saying â€Å"I am your lord. † That lord is Love. Allegory The term allegory literally means the â€Å"hidden meaning†, it derives from Greek â€Å"al- SIS† (other) and â€Å"Georgia† (speaking), â€Å"other speaking. † The Divine Comedy is rife with it. Each canto is filled with political moral and divine statements. Allegory takes four forms in The Divine Comedy modeled after biblical exegesis (interpretation of biblical style); Literal (historical), Allegorical (Typographical) , Moral and Angelical. These four forms follow the interpretation of scripture in the Middle Ages.In scripture, the historical meaning is -? 11 what is described as fact. It encompasses the people, places and events represented and shows them historically as things that have occurred. The second meaning (the Allegorical/ Typographical) is that of personification and representation, a person may represent a sin or a virtue. The moral meaning in the scripture is literally represented by Christ. â€Å"So far as the things done in Christ, or so far as the things which signify Christ, are types of what we ought to do, there is the moral sense. † (Aquinas).The final meaning, the angelical is the hardest to pin down. This is because it is the broadest of the terms; it is the meaning which expands outwards and offers what the writer or reader considers an â€Å"eternal† meaning. The angelical represents the realm of the Gods, thus making it eternal, â€Å"But so far as they signify what relates to eternal glory, there is the angelical sense. † (Aquinas) Neither the bible nor The Divine Comedy possess all four of these elements at all times however. Writing is often adorned with â€Å"historical buttresses and adornments†, events that hold no further meaning than the literal.Different verses and cantos hold some of these meanings, some are personified in particular figures, others can only be found by evaluating the entire trajectory of the Comedy. These four meanings overlap, come and go, are sometimes clearly visible and some are lost forever in the annals of time. Other than the historical, the allego rical (typological) is the most prevalent form of meaning throughout the Comedy. Because all allegory is dependent on interpretation, the meanings put forth here are those that I deem to be correct, although there are likely other interpretations or even contrary views.As Dante followed many of the teachings of Thomas Aquinas, the following is the most prevalent definition for the typographical (allegorical) meaning in -? 12 -? the Comedy: â€Å"Whereas in every other science things are signified by words, this science has the property that the things signified by the words have themselves also signification† (Aquinas). This is the definition Dante would have followed in instructing his own allegory. Dante borrows heavily from Thomas Aquinas and Aquinas' Theological for his moor- al theory and view of God, theology and use of allegory.As far as the view of God, Thomas Aquinas believed that there are two apices of any object or subject (their existence and their essence), exce pt for God. Aquinas preaches God as simplicity. God is simply essence, for his/her/its existence is its essence. This essence to Dante is Love; all other objects are not independent of love and thus God, who is the representation of pure love, is the only individual being in existence. â€Å"God is identical tit Just one in- divisible thing, but that one thing has different effects and appearances† (Stump).Dante also enumerates the importance of each level of meaning, saying in his work Conviction, â€Å"l shall always first discourse upon the literal meaning of each cannoned, and after that I shall discourse upon its allegory, that is, the hidden truth; and I shall sometimes incidentally touch upon the other senses (angelical), as the place and the time make appropriate. † This leads us to believe that the historical (literal) meaning is the most important, followed by the allegorical. The angelical seems to e a natural uprising of this discourse of both the literal a nd the allegorical.The moral finds its way into the literal meanings as well, since Christ is synonymous with morality, and the bible and Beatrice are taken as fact. Throughout the Comedy, Beatrice and her compatriots teach Dante many -? 13 -? things, most of these may be interpreted as the moral allegory. What must also be understood is that the literal meaning will always be present, and for the most part the allegorical will be also. But that Allegory will take one or more of its three forms, typographical/allegorical, moral or angelical. He gives an example of this four-fold allegory in a letter sent to Gangrened of Verona.The Allegory of Love â€Å"Love, which pardons no beloved from loving, took me so strongly with delight in him That, as you see, it still abandons me not†¦ † (Nova) As we begin to look at the many meanings of love in The Divine Comedy, the three literal forms we shall examine are 1) love as an emotion, 2) love as Beatrice, and 3) Love as a figure a nd as God. First let us examine Dent's belief of love. For Dante, love was the driving force of the universe. It causes souls to rise to heaven or fall into hell. It literally set the stars in motion. All sinners and all saints had their actions based in love, for better or for worse.Love causes all movement in the universe, whether for the sinners to ascend because of love for God or for the blessed to descend in order to save a soul. Just as Beatrice descends to bring Dante to the Empyrean, it also causes the angels to move in their circles around God, thus creating the movement of the heavens. However, love also has a darker side. According to Dante, love is also the root of sin. He takes this view from William Perusals' analysis of the Sustaining Sins; Pride, Envy, Wrath, Sloth, Avarice, Gluttony and Lust. These sins can be divided into three cat- Georges according to love; insufficient, disordered and excessive.Insufficient love takes the form of sloth, disordered love manifest s in pride, new and wrath (as these three are misguidedly directed at an external object), and love in excess creates avarice, gluttony and lust. These are all forms of what Virgil distinguishes for Dante as rational love, separate from natural love which I shall discuss at greater length later. Rational love takes many forms, both positive and negative. If unbalanced or per- averted, it is the basis of all sin, but it is also that which leads Dante towards natural eve. Dent's earthly love for Beatrice could be described as courtly love, a popular subject of the times. Courtly love can be defined as desire and longing for someone, and personal suffering by loving this person† (Du France). This definition as we can see applies perfectly to Dent's relations to Beatrice. It is this earthly relationship that begins Dante on his path to salvation and enlightenment, thus it is this form of rational love that sets Dante on his path. At the beginning of The Divine Comedy, the Pilgrim believes this love for Beatrice is pure and correct. Yet through his discussions tit Francesca De Riming, and then Virgin's discourse on love in purgatory, Dante begins to doubt his assertion.Finally upon his meeting with Beatrice in Paradise he repents for the earthly love he paid her and accepts the purity of natural love, the love that will guide him through paradise unto the Empyrean. Natural love was considered by Dante to be the love of and for God. It is the pure force which motivates the universe and binds it together. It is the purest form of this love that Dante is striving for throughout the Comedy. Through hell and purgatory, he is strip-? 15-? inning away the sins and tarnishing of sin, and in paradise he is being prepared, level by level, by Beatrice, for the experience of Pure Love.Virgil, who has not entered heaven and has thus not experienced natural love, can only describe to Dante human love and the perverted shapes it takes in sin. The constant motion of natural love is moving toward a goal; that goal is the attainment of the realization of place and of perfection for every object and creature in the world. â€Å"As the specific capacity of anything is actualities by being exercised, the nature of that thing is progressively completed or perfected, according to Aquinas† (Stump). It is by loving and being love that this process is perpetuated and thus moves closer and closer to a perfect equilibrium.This ultimate beatitude is inconceivable to the human mind, however, and thus we give it a humanly understandable form, that of God. Yet Dante is very careful not to name God as the center of the Empyrean; the highest level of heaven is occupied by Love. Virgil describes how love takes three stages to develop. The process begins with awareness of another object or person. This perception is offered to the soul to Judge whether this object is beautiful and shall bring happiness. If it is deemed good, then eve develops and takes the form of an inclination or attraction toward that object.Until love develops, the force driving this process is human will and it is thus that love can be misguided, as the will can make mistakes and lead an individual toward sin. If we take love as the attractive force that moves the universe, then the ultimate goal of life is also love, but love in equilibrium. This is why perverted, insufficient and excessive love are sins, for it is balanced love, natural love that we are striving toward. We cannot, however, achieve union with natural love simply by following others'

Analysis Of Pearl s Universe - 1543 Words

Duha Salamah Professor Kolkachian 20 October 2015 PSYC1A Pearl’s Universe Cartoon Network’s Steven Universe is a lovable children’s show that is quickly gaining immense popularity as well as ell-deserved praise due to the show’s avid representation of women, queer individuals, and people of color. Pearl, a protagonist on the show, is one of the powerful Rose Quartz’ closest followers as well as one of the last Gems on Earth to survive the war between the Crystal Gems (Rose’s army) and the Homeworld Gems. Gems are a species that are characterized by their corresponding gemstone (Pearl’s gemstone is a pearl, while Rose’s is a quartz). All Gems are sexless and there seems to be an absence of sexual dimorphism in the species, however all Gems seem to have traits that are commonly associated with human femininity and actively respond to the pronouns â€Å"she† and â€Å"her† aside from Steven, who is Rose’s half human-half Gem son. Pearl lives with and fights along Garnet and Amethyst, the on ly other two Crystal Gems that survived the war, and Steven, Rose’s son. It is abundantly clear that Pearl was/is still in love with Rose, proudly crediting herself as Rose’s â€Å"sole confidant† and making sure her every act is for Rose and her legacy. Pearl’s love for Rose eventually grows to the point of obsessive recklessness, continuously sacrificing herself and convincing herself that she does not matter all for Rose’s sake. 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The Role of Financial Stability in Truman Capotes In...

Herb Clutter and his family possess it. Dick and Perry want it. It is often associated with the ideal existence. What is â€Å"it† exactly? â€Å"It† refers to financial stability. This is the state of not having to fret about paying the bills or providing for one’s family and of not having to worry if one will eat on a given day. The concept of financial stability is central in the novel written by Truman Capote and inspired by real events entitled In Cold Blood. This issue is the backbone of the novel and is the chief motive for the murders committed in the story. Additionally, financial stability is an important component in the typical view of the â€Å"American dream.† It is fair to say that the Clutters embody this concept, which†¦show more content†¦It is fact that both Dick and Perry had served prison sentences for robbery in the past. Capote further illustrates the vices of Dick’s personality when he uses the statement, à ¢â‚¬Å"I promise you, honey, we’ll blast hair all over them walls† (22) to portray Dick as a potential murderer. Capote also shows that Dick is a liar by revealing that he lied to his father about where he was going the night of the murders (23). It is fairly obvious that Capote is portraying Dick as a person who doesn’t often exhibit virtue in his actions. Capote presents a similar idea about Perry when he reveals Perry’s confession of murdering all four Clutter’s present at the house (255). Dick and Perry never attain financial stability and are, within Capote’s story, the embodiment of the â€Å"American nightmare.† It is possible that Capote is subtly equating this with their lack of virtue. Throughout the story Dick and Perry tried to come up with schemes to make money. Dick goes on a bad check writing spree and he promises to marry Maria â€Å"who was the widow of a ‘very prominent Mexican banker’† (118) in order to get money. In fact, the incident at the River Valley Ranch was meant to be a robbery and not a murder. Dick and Perry never seriously try to find honest ways to make money, rather they spend all their time scheming and violating others in order to get money. Their methods ultimately fail every time and they always find themselves broke shortly after

Implementing A College Student Discount Of 10 % On All...

We suggest implementing a college student discount of 10% on all purchases with a valid college ID. This will attract college-aged individuals (namely UConn students) to the shop and will bring the services offered at Pandora’s Playground within the reach of college students on a budget. We also suggest the implementation of a loyalty rewards program in which every service purchased by a consumer results in a punch on a loyalty card. After 4 purchases of a tattoo or piercing, the customer gets their 5th tattoo or piercing 50% off. Because tattooing and piercing is viewed as an addictive habit, and the majority of individuals with tattoos and piercings have multiple, this rewards program can serve as a way to increase customer loyalty and keep customers from traveling to competitors for their second or third purchase. With the implementation of these practices, the prices charged can be segmented according to the income of the potential consumers. 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